As mentioned earlier, the exhibition of the physical museum has entered a stagnant period of development once it opened. From content to form, even the exhibition products no longer changed. Most of the basic display in the museum is like this.
The museum is the information resource distribution center of human and natural history in the past. The carrier of this information is a variety of materials, such as the carrier of calligraphy and calligraphy expression information, or silk hemp, as well as pottery, stone, metal, etc. The information is attached to the attachment For these carriers, patterns, patterns, styles, functions, crafts, etc.
, the information expression is hidden. The knowledge listed by the museum exhibition is that after the museum professionals interpreted the hidden information, they were passed to the audience. After a long time in the time, some items and events have been lost from our overall memory of human beings.
How can we recognize it? There are many unexpected objects in archeological work that cannot be explained, or there are many explanations. This is because this is because There is no record of this utensil in the collective memory of human beings. Only by relying on experts and scholars to study, but the understanding of the experts and scholars is very different.
Which museum will pass the cognition of the museum to the audience? The interpretation of the exhibition is true. Is it correct? After all, the professional of the museum is a very small group in society, and its cognition will also be limited by subjective factors such as professionalism, vision, and belief. , Research, Discovery, and Inventor, through the research on witnesses of museum collections, the public can fill, correct, and improve the general social knowledge set.
Therefore, the author believes that the museum has the responsibility of continuing the vitality of the exhibition, and the root of this vitality is rooted in the public.