The museum exhibits the innovation and breakthrough of the artistic image

Innovation and breakthrough are the key to the survival and development of a museum, and the degree of innovation and acceptance of the idea by the people determines the effect and success of the entire museum exhibition. If a museum wants to retain the audience and attract the audience's attention, it must constantly innovate to meet the audience's aesthetic needs and knowledge needs. Museums must keep pace with The Times when displaying and exhibiting, abandon those outdated concepts that do not meet the actual needs of the people, break through the traditional exhibition mode, use the organic combination of lights, colors, shapes and cultural relics specimens, and use colorful exhibition means and multi-level exhibition content. Create a "beautiful" space and atmosphere that makes people linger and meet the needs of different audience groups.

1. During the exhibition, the unity of the exhibition space and exhibits must be ensured. When the museum is arranging the exhibition, it must pay attention to the harmony and unity of the exhibition space and the exhibits, and when the exhibits are placed, it must have a reasonable sense of space, rather than random decorations, which will only reduce the grade of the exhibition. The exhibits placed must be in the view of the audience, and the density and height should be reasonable, so as to avoid aesthetic fatigue, and truly ensure the harmony and unity of the space and exhibits.

2.The lighting design must be coordinated with the color of the exhibits. In the museum exhibition design, the color coordination of lighting and exhibits is very necessary, if the light and color difference is not handled well, it is easy to cause a bad impact on the effect of the exhibition. Lighting can not only allow the audience to see the exhibits better, but more importantly, show the effect of art, produce better visual effects, and give people a visual impact. Some cultural relics that look very general, supplemented by good lighting, give people a feeling of great difference.

3. Strive to improve the texture of the exhibits themselves. When the museum carries out the exhibition design, it can carry out different setting treatment according to the different characteristics and materials of the exhibits to better enhance the texture of the exhibits themselves. When the designer is designing, what kind of material exhibits to choose what kind of foil, must be carefully considered and thought. When setting off, it is not the more expensive the material, the better the effect, but must choose the right one, better show the cultural connotation and artistic sense of the exhibits, it is best to improve the overall atmosphere and effect of the exhibition, in the choice of showcase or lighting must be color coordination, so as to make people feel beautiful. Instead of dazzling people's eyes, different colors, let people see dazzling, so lose the original intention of the exhibition, must remember: museum exhibition is not Disneyland.

4. In the exhibition, we must pay attention to the harmony of the sense of quantity. In the exhibition, due to the difference in color, texture and brightness of the exhibits themselves, the overall feeling is also different. In the same exhibition, these sense of quantity must be reasonably controlled to achieve the harmony of sense of quantity, so as to highlight the focus and leave a deep impression. The size, color, and light and shade must be harmonious and reasonable. Can reflect the artistic atmosphere of the exhibition, more attract the audience.

5. In the exhibition design, we must pay attention to the balance and symmetry between the exhibits. When arranging the exhibition, the choice of method is also very necessary. If the method of symmetry is used, the overall feeling of stability is relatively high, but more rigid, if it is balanced, under the premise of relatively stable, more changes can play a lively effect. In the exhibition design, we must effectively combine the balance and symmetry together to better reflect the effect of the exhibition, and the characteristics of the exhibits will be more prominent and obvious.

6. In the design, it must reflect the most significant characteristics of the exhibits themselves. In the exhibition, the theme of the exhibition is often hidden in each exhibit, and it is necessary to realize the combination and sublimation of the artistic image and the exhibits to more vividly show the theme of the exhibition. Therefore, before the layout, we must carefully study the theme of the exhibition and the exhibition space, and think about how to better arrange to reflect the characteristics of each exhibit, form a unified artistic style, convey the theme of the exhibition, and enhance its artistic image. When arranging the exhibition, the sense of space, sound and light can be used in conjunction with some relevant pictures, so that the whole scene can realize the combination of movement and movement, so that the display content is more easily accepted by the masses, and the exhibition method is more lively.

7. The effective use of exhibition signs. The explanatory sign is a description of the exhibits, which can improve the public's understanding of the exhibition. However, it is difficult for the audience to patiently read the complete sign, and their attention often does not exceed a few seconds. In the design of the sign, it must be concise and clear, and the total number of words should not exceed 25 words. If the 25 words are not clear, they can be explained separately. If the time to see the sign is too long, it is not conducive to the flow of people, increase the audience's viewing time, the flow of people is easy to crowded, when there is an emergency, it is difficult to dredge the flow of people. And the sign must have the time, place and dynasty of this item unearthed on the sign, and should not be placed in too high a place when the sign is placed, which will lead to fatigue when the audience watches, which is not conducive to the audience's comprehensive understanding.

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